The abstract paintings shown here are not by Kazimir Malevich or Paul Klee but by Hindu tantra devotees from Indian cities like Jodhpur and Chomu, the anonymous heirs to a pictorial tradition that dates to the 1600s. Painted on salvaged paper and rarely measuring more than a foot high, the images possess a strange kinship with 20th-century art.
from “17th-Century Modernism?” by Stephen Heyman
NYTimes.com, November 1, 2011
Tags: modernism art minimalism new york times stephen heyman tantra hindu
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